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Media Centre > Columns > June
2003
TELEVISION PROGRAM FINANCING - A FIX NOW, FOR THE LONG-TERM
By: Glenn O'Farrell, President and CEO, Canadian Association
of Broadcasters
This year's unexpected federal cut to the CTF, coupled with the
increase in the tax credit for foreign production clearly showed
our industry three important realities. First, that the Government
of Canada does not fully understand how different pools of money
are stacked together to create the television shows Canadians watch.
Second, that the economic contribution of our sector to the Canadian
economy is also not understood or, I dare say, appreciated. Third,
that government's contribution to indigenous Canadian programming
has to be reactive to the change in market dynamics namely the market
fragmentation that the multi-channel universe created.
While the federal government's latest budget praised the cultural
sector for its contribution to Canada and the CRTC has called for
more "Canadian voices in Canadian spaces" there is a disconnect
between these objectives and the operational realities of making
Canadian shows.
Canadian programming has been caught in the middle of a struggle
between two political wills: the will to ensure Canadian voices
in Canadian spaces, and the ability to fund them. The broadcast,
distribution and production industries cannot realistically thrive
in an environment where, year after year, its stability and viability
are threatened. The uncertainty and doubt faced on an annual basis
by the industry about funding availability is detrimental to the
creation of a successful national television programming system
that includes successful dramatic series, documentaries and children's
programming.
The government has ordered a variety of reports on Canadian programming
that will all recommend some strategies to ensure the "health
care" of Canadian programming. But these reports only address
some parts of a complex puzzle. There is a need for a comprehensive
financing strategy to produce uniquely Canadian programming. A "band-aid"
solution is not adequate here.
As a first step in bridging the gap, funding should be restored
to the CTF to the $100 million level. The second is a strategy that
the CAB has been calling for since its appearance before the Standing
Committee on Canadian Heritage in March 2002. A broadcast industry
Task Force, with participants from the Departments of Finance and
Canadian Heritage, needs to be established. This Task Force would
urgently look at current support mechanisms (the CTF, Telefilm,
tax credits/shelters, etc.) and see the development of a long-term,
multi-year funding strategy that provides stability and predictability
to the broadcast industry. This Task Force has a small window of
opportunity to find a long-term solution between June 2003, when
the various reports are released and November, when the new Prime
Minister is chosen.
The broadcast sector needs to operate within a framework of public
policies that are flexible, market-driven and responsive to opportunities
and challenges within the broadcasting system. Without a strategic
approach, the problem of financing successful productions, faced
most recently by our cousins in the Canadian film industry, will
only persist and perhaps worsen.
The industry has shown its willingness to work with the Government
on this issue. A cooperative solution is essential; insuring long
life to indigenous Canadian programming is in everyone's interest.
It's what's right for Canadians and for Canadian television.

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